myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014
plexi, stainless steel, paint, daylight
room: 22’ h x 27’ w x 19’ d
time-lapse video: installation process
My Amp Goes To 11: Twitter | Instagram myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014
plexi, stainless steel, paint, daylight
room: 22’ h x 27’ w x 19’ d
time-lapse video: installation process
My Amp Goes To 11: Twitter | Instagram myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014
plexi, stainless steel, paint, daylight
room: 22’ h x 27’ w x 19’ d
time-lapse video: installation process
My Amp Goes To 11: Twitter | Instagram myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014
plexi, stainless steel, paint, daylight
room: 22’ h x 27’ w x 19’ d
time-lapse video: installation process
My Amp Goes To 11: Twitter | Instagram myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014
plexi, stainless steel, paint, daylight
room: 22’ h x 27’ w x 19’ d
time-lapse video: installation process
My Amp Goes To 11: Twitter | Instagram myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014
plexi, stainless steel, paint, daylight
room: 22’ h x 27’ w x 19’ d
time-lapse video: installation process
My Amp Goes To 11: Twitter | Instagram myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014
plexi, stainless steel, paint, daylight
room: 22’ h x 27’ w x 19’ d
time-lapse video: installation process
My Amp Goes To 11: Twitter | Instagram myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014
plexi, stainless steel, paint, daylight
room: 22’ h x 27’ w x 19’ d
time-lapse video: installation process
My Amp Goes To 11: Twitter | Instagram myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014
plexi, stainless steel, paint, daylight
room: 22’ h x 27’ w x 19’ d
time-lapse video: installation process
My Amp Goes To 11: Twitter | Instagram

myampgoesto11:

Soo Sunny Park: Boundary Conditions, 2014

plexi, stainless steel, paint, daylight

room: 22’ h x 27’ w x 19’ d

time-lapse video: installation process

My Amp Goes To 11Twitter | Instagram

thedesignwalker:

table, stools
verdeinvolumes:

wetheurban:

DESIGN: The Future of Makeup Has Arrived
Using incredibly precise light projectors, Nobumichi Asai has demonstrated how a person’s face can be digitally altered in real-time.
Read More

"The Future of makeup", That’s a lofty title. This works with light projection because of the reflective motion capture markers strategically placed on her face. A basic 3d model is projected over the face and the markers correct the movement and position of the 3d model. The eyes are closed, she moves slowly and the mouth doesn’t move because there are no markers and that is a quick action that is usually tweaked by hand in a 3d program.
Still a cool effect though. It’s gotten better. verdeinvolumes:

wetheurban:

DESIGN: The Future of Makeup Has Arrived
Using incredibly precise light projectors, Nobumichi Asai has demonstrated how a person’s face can be digitally altered in real-time.
Read More

"The Future of makeup", That’s a lofty title. This works with light projection because of the reflective motion capture markers strategically placed on her face. A basic 3d model is projected over the face and the markers correct the movement and position of the 3d model. The eyes are closed, she moves slowly and the mouth doesn’t move because there are no markers and that is a quick action that is usually tweaked by hand in a 3d program.
Still a cool effect though. It’s gotten better. verdeinvolumes:

wetheurban:

DESIGN: The Future of Makeup Has Arrived
Using incredibly precise light projectors, Nobumichi Asai has demonstrated how a person’s face can be digitally altered in real-time.
Read More

"The Future of makeup", That’s a lofty title. This works with light projection because of the reflective motion capture markers strategically placed on her face. A basic 3d model is projected over the face and the markers correct the movement and position of the 3d model. The eyes are closed, she moves slowly and the mouth doesn’t move because there are no markers and that is a quick action that is usually tweaked by hand in a 3d program.
Still a cool effect though. It’s gotten better. verdeinvolumes:

wetheurban:

DESIGN: The Future of Makeup Has Arrived
Using incredibly precise light projectors, Nobumichi Asai has demonstrated how a person’s face can be digitally altered in real-time.
Read More

"The Future of makeup", That’s a lofty title. This works with light projection because of the reflective motion capture markers strategically placed on her face. A basic 3d model is projected over the face and the markers correct the movement and position of the 3d model. The eyes are closed, she moves slowly and the mouth doesn’t move because there are no markers and that is a quick action that is usually tweaked by hand in a 3d program.
Still a cool effect though. It’s gotten better.

verdeinvolumes:

wetheurban:

DESIGN: The Future of Makeup Has Arrived

Using incredibly precise light projectors, Nobumichi Asai has demonstrated how a person’s face can be digitally altered in real-time.

Read More

"The Future of makeup", That’s a lofty title. This works with light projection because of the reflective motion capture markers strategically placed on her face. A basic 3d model is projected over the face and the markers correct the movement and position of the 3d model. The eyes are closed, she moves slowly and the mouth doesn’t move because there are no markers and that is a quick action that is usually tweaked by hand in a 3d program.

Still a cool effect though. It’s gotten better.

(via grumpyface)

flommus:

islandinspace:

‘Maandblad voor Bouwen en Sieren van Architectura et Amicitia. Nr. 11, 1921. Nummer gewijd aan het werk van den Amerikaanschen Architect Frank Lloyd Wright, inleiding door H.P. Berlage, with cover design in litho after El Lissitsky.’

(via thomortiz)

ofcharacter:

Jean Nouvel - Doha Office Tower - Photo: Nelson Garrido

(via thomortiz)

nickkahler:

James Turrell, Roden Crater, Flagstaff, AZ, 1979-Present (via archdaily)
nickkahler:

James Turrell, Roden Crater, Flagstaff, AZ, 1979-Present (via archdaily)
nickkahler:

James Turrell, Roden Crater, Flagstaff, AZ, 1979-Present (via archdaily)
nickkahler:

James Turrell, Roden Crater, Flagstaff, AZ, 1979-Present (via archdaily)
nickkahler:

James Turrell, Roden Crater, Flagstaff, AZ, 1979-Present (via archdaily)
nickkahler:

James Turrell, Roden Crater, Flagstaff, AZ, 1979-Present (via archdaily)
nickkahler:

James Turrell, Roden Crater, Flagstaff, AZ, 1979-Present (via archdaily)
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.
vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.

vfrankmd:

sosuperawesome:

Extreme close-ups of human eyes by Suren Manvelyan

Windows to the soul.

(via grumpyface)

4wallsproject:

Skyscraper Recycle
†
4wallsproject:

Skyscraper Recycle
†

archiproducts:

JEAHNA comes in three dazzling sizes, from 1.5 to 5.5 metres in diameter: JEAHNHA by @ZERO http://bit.ly/1kfaUj2

(via mimilin)

nordicform:

Modular, Kristian Gullichsen & Juhani Pallasmaa

(via sixtensason)

sixtensason:

Ludwig Mies van der Rohe, Neue Nationalgalerie, BerlinRobert Stumpf, Berlin by Rost sixtensason:

Ludwig Mies van der Rohe, Neue Nationalgalerie, BerlinRobert Stumpf, Berlin by Rost sixtensason:

Ludwig Mies van der Rohe, Neue Nationalgalerie, BerlinRobert Stumpf, Berlin by Rost

sixtensason:

Ludwig Mies van der Rohe, Neue Nationalgalerie, Berlin
Robert Stumpf, Berlin by Rost

midcenturymodernfreak:

Minimal Form, Maximum Usability | Design:Muller Van Severen (Fien Muller and Hannes Van Severen)
Via: 1 | 2 | 3
midcenturymodernfreak:

Minimal Form, Maximum Usability | Design:Muller Van Severen (Fien Muller and Hannes Van Severen)
Via: 1 | 2 | 3
midcenturymodernfreak:

Minimal Form, Maximum Usability | Design:Muller Van Severen (Fien Muller and Hannes Van Severen)
Via: 1 | 2 | 3
midcenturymodernfreak:

Minimal Form, Maximum Usability | Design:Muller Van Severen (Fien Muller and Hannes Van Severen)
Via: 1 | 2 | 3
midcenturymodernfreak:

Minimal Form, Maximum Usability | Design:Muller Van Severen (Fien Muller and Hannes Van Severen)
Via: 1 | 2 | 3
midcenturymodernfreak:

Minimal Form, Maximum Usability | Design:Muller Van Severen (Fien Muller and Hannes Van Severen)
Via: 1 | 2 | 3

midcenturymodernfreak:

Minimal Form, Maximum Usability | Design:Muller Van Severen (Fien Muller and Hannes Van Severen)

Via: 1 | 2 | 3

(via sixtensason)

mabonaorigami:

the only tat i’d ever consider